Much like WATERWORLD, the question was not "Which effects house worked on BATMAN FOREVER?" it was "Which effects house didn't work on BATMAN FOREVER?" The effects work was supervised by effects veteran John Dykstra, who succeeded in giving the world of Batman a much needed dimension: color. I am not much of a fan of the first two BATMAN films (nor their effects), but Dykstra and director Joel Schumacher's intention was to create a living, moving comic book. It worked. Check out Cinefex 63, and American Cinematographer July '95.